After reading The Crystal Goblet, or Printing Should Be Invisible by Beatrice Warde (1900 – 1969) I neither fully agree or disagree. I agree that when designing the first question to be asked must be 'what must this design do?' I also agree that any printed piece of work cannot be called 'art' when its purpose was to inform instead of to just be visually pleasing. However if a designer produces a piece of work which was intended to be a thing of beauty, then I agree that it could be called 'art'. I think there is a fine line however in distinguishing what has been designed to inform (but look nice and be visually pleasing) and what has been designed to be a thing of beauty.
I disagree however that English cannot be considered art until the current English language no longer informs or conveys ideas to future generations. All art in some way informs and conveys ideas whether it be from oil paintings or ceramic vases although they often don't do this with the use of text. I don't see then how printed English could not be seen as art, if intended to be a thing of beauty simply because it conveys ideas through text rather than visually.
The section of text which I chose to use for my alignment exercise above I thought was quite interesting and very true. I have both painted and designed and I too feel I am better at design as I think. Both painting and design are very expressive, there is a huge difference however and not just the medium with which both are created. Painting although being very precise while painting portraits for example, is very much based on the 'feeling' you get from looking at the piece. When creating a piece painters don’t necessarily look at the visual image but more what feelings it evokes. Also artists work can often be interpreted by the viewer in many different ways. Designers work however is often thought out, planned and analysed in order to create a piece which has specific function and which conveys or evokes something very specific. In contrast to painters designers work can often only be interpreted in only one way, which is controlled by the designer.







